Technical Details
I am not a professional, so this review is not to those who work with high-end audio products off for a lifetime. If you are a beginner to intermediate level audio enthusiast, this product works for you. Why do you want? Why speak or sing in the vicinity of the microphone causes more than a breeze, often in a sound "popping while recording. Some sounds like" p "and" sh "could lead to clipping during recording. A good pop-filter to capture 'energy rush of air orspread the sounds of some letters. You may also want a pop filter when recording Who could spit saliva, while talking or singing. This is much more common than you think, and saliva can actually corrode a microphone. The NADY MPF-6 will help with these problems. You just remember to keep some 'space between the filter and the MIC.
The filter is a rounded frame with two layers of fabric as a filter. You could probably do only one, but if youSetting up a home studio then have important things to do with your time, and it would be easier to buy cheaper.
The gooseneck is easy to use and will remain in place exactly where I need it.
The last component is a staple. I currently use the mini-stand that came with my Blue Snowball microphone and it works very well. The clamp is adjustable so it can be used with other microphone stand. Overall this is a great product and I would not hesitate toI recommend to my friends.
Item #: T50374.
Product Type: Microphone pop filter
Customers also search for: Technology\Telephones\Headsets, Batteries and Telephone Accessories\Headsets and Accessories Discount Nady MPF-6 Pop Filter – microphone pop filter, Buy Nady MPF-6 Pop Filter – microphone pop filter, Wholesale Nady MPF-6 Pop Filter – microphone pop filter, 0634343001655, MPF-6, Headsets and Accessories
Just What i Was looking for. – Verbal-X – Fontana,CA
I bought this stand and the boom Samson BT4. They work well together, the p-filter easy to adjust to it in almost any position necessary. A lot of people think that pop-filters are nothing, so they are something that make Hip Hop music, has become a convenient, I noticed a big difference in my voice recording. The screen is also robust. I would recommend this to a friend.
Effective but “clamping challenged” – J. Kucera – Chicago, IL USA
Caveat: I am just learning podcasting and this is my first experience with a pop filter.
On the positive side: it works and is not very expensive. I was also surprised that the "filter" seems to be no more than a black nylon stocking, if you wanted to manipulate your camera, then probably not so difficult. The flexible arm is positioned to be easily and stays where it is done – nothing like the table lamp that I got more and more slowly until it was hidden.
<br/> The downside: the clamp. I assumed I would be on the edge of my desk clamp, but my desk 1.75 cm wide and the terminal is not big enough. Then I thought I had a heavy (but use thin) Corian cutting board, but the nose plier, which floats on the surface and keep it continues to fall. My solution: The pop filter in the side of a "Stanley Fat Max" Hammer and so far it is working very well blocked. The nose is breaking the "n" of"Antivibe" written on the depressive side. And the rubber grip on the hammer makes it easy to move. Also makes me smile.
Works great 
– artsytiffy –
I bought this to go along with the mic, I bought it and works great:)
It makes a difference. How much? Check out the video for a comparison – Robert S. Tobias – Arlington, VA USA
Watch the video here: video http://www.amazon.com/review/R30LGY87RZ1UZN paper compares the audio samples with and without filters, taken with a Blue Microphones Snowball USB microphone (white). It also contains some observations on this excellent product.
*** Product Information and Prices Stored: Jul 19, 2010 19:16:21
Product Description
Price is for Piece. Whether conducting an interview, taking lecture notes, or capturing the sounds of life happening around you, simply attach Mini Microphone to your iPod or iPhone for immediate voice recording capabilities. Features * Plug and Play. * High quality microphone, fine sensibility. * Small and portable. * No need battery. Specifications * Size: Length 36mm, Diameter 13mm * N.W.: 4.5g * G.W.: 31g * Packing: blister D178 x W120 x H25 (mm) Compatible with… More >>
CablesToBuy™ Mini Microphone for iPhone 3G/iPod/touch/classic
Product Description
Price is for Piece. Whether conducting an interview, taking lecture notes, or capturing the sounds of life happening around you, simply attach Mini Microphone to your iPod or iPhone for immediate voice recording capabilities. Features * Plug and Play. * High quality microphone, fine sensibility. * Small and portable. * No need battery. Specifications * Size: Length 36mm, Diameter 13mm * N.W.: 4.5g * G.W.: 31g * Packing: blister D178 x W120 x H25 (mm) Compatible with… More >>
Black Mini Microphone for iPhone 3G 3GS iPod touch 1st 2nd 3rd Gen classic Video
Product Description
Super.fi 5Vi Liquid Silver… More >>
Ultimate Ears SuperFi 5vi Noise Isolating Earphones w/ Microphone
Everyone develops personal preferences over time for one reason or another. I have a personal preference for the XLR ends with the really fine threaded plastic cap on the outside (first to slide down the cable) with a 4 legged gripper underneath that slides next down the cable and pinches down as you tighten the plastic outer cap into the metal housing with the solder contacts causing the gripper to strain relief most cable diameters. Unfortunately that design isn’t used here, but I chose to award the 5 star rating for value because you get 15′ of good quality shielded cable with 2 XLR ends (M and F) for well under /ft.
As for pinout it’s straightforward, pin 1 is tied to the metal grip and shield and connects between both ends, while pins 2 and 3 are run isolated between both ends. The end design chosen uses the single set screw connector (the tiny one that gets lost so easy if you need to take it apart) and the rubber bumper design on the back which I haven’t had the best of luck making quick changes in the field with, however for interconnecting equipment on a temporary basis these cables are an important starting point of any audio engineer’s kit because they will be used not if but WHEN the need arises.
Another favorite of mine is the 6 pack of 3 foot male to female cables which do use my favorite XLR ends mentioned above, which amazon will rush you: GLS Audio 3ft Patch Cable Cords – XLR Male To XLR Female Black Cables – 3′ Balanced Snake Cord – 6 PACK – these are very easy to open an end, change phase, lift ground, or input someone’s oddball source signal. Having 6 on hand means you won’t quibble over cable costs before the show starts and that channel will be in the final mix.
Back to pyle’s product here, I basically took away 1 star for not using the easy to open and re-wire XLRs but gave them a star for value in the product since it’s 15 feet long and will reach between my mixer and most anything else inside the booth for under a buck a foot. It’s also great when someone yells “it’s too short I need a cable stretcher at the podium!” and quickly adds 15 feet of noise free movement to a stage snake that either wasn’t planned for or got moved/quit working. For the price they have saved many installations from being torn up or rewired which means no surprises opening the next showing.
I finally equipped my cable kit with the usual XLR to RCA, 1/4 TRS, hi-z transformers, and the above mentioned 6 pack of 3 foot cables to quickly gain access to the XLR terminals if need be, plus 2 of these 15 foot cables mainly to solve distance problems, and a roll of gaffer’s tape for good measure to prevent tripping hazards. I used to have 2ea 50 foot XLR cables but no sooner than the box was opened one became a permanent addition to the stage snake so now I have one left for my kit. With all that I had to build an emergency XLR to 2.5mm TS all metal shielded connector for a mike input on short notice so a soldering kit with misc plugs got added to my cable bin. Even though all this was under 0 it has saved the day more than once and made the show go on, so a bit of “what if” thinking and judicial purchases can make you look like the miracle mixer in the black painted room and justify your existance when the owner’s daugher’s toy musicbox becomes a channel in the house mix thanks to some quick cable magic.
My last cable advice is never deconstruct something you custom made. It will no doubt be needed again, and since you made it you’ll know why, how, and where it was used before, thus you save time not recreating a past fix rather pulling it from your magic box of tricks and solving the problem. People think you can hook anything up where others tried and failed furthering your staff position. My only exception goes to cables that violate every standard and didn’t serve to fix the problem like that phase reversed ground lifted XLR 4 pin stereo Y splitter to dual TRS female cable I made for the harmonica duet where the performers had nose rings and lip bars pierced and kept getting static with their mics when they held the harmonica up to their jewelry. I chalked that up to being part of the intended musical signal, wondering just how much it hurt to play with all the piercings scraping along the harmonica when I setup my monitor speakers to listen to just that (stereo) channel in rehersal at the console.
15ft. XLR Male to XLR Female Microphone Cable
PLEASED AS PUNCH – L. D. JAY – GRETNA, LA
THE PRODUCT ARRIVED QUICKLY, WORKS WELL, PRICED RIGHT. WHAT MORE CAN YOU ASK FOR. THANKS. GOD BLESS!
Very much acceptable… but not perfect. – Remaining Anonymous ahaha – CA
It works very well so long as the cable isn’t too twisted. I had to duct-tape the cable at the part before the prong comes out to help eliminate wire buzz. It only happened when the cord wasn’t coming straight out of the input jack, and bent at that “joint”
otherwise, you can’t beat this for price. If you are new to the music scene, I recommend this and just deal with duct taping it to work if you have to cause it’s not worth buying a more expensive one when it’ll probably work fine or may just need some minor adjustments.
No surprises – Kevin Davey – Chicago IL
I needed microphone cables for a home studio, and I bought three of these. They work, and they have the advantage of being newer than most mic cables I have used to play gigs.
*** Product Information and Prices Stored: Jun 08, 2010 17:51:14
Product Description
Logitech QuickCam Pro 9000 WebCam 2.0 Megapixel 960 X 720 w/ Microphone USB 960-000048. Product may differ from image shown… More >>
Product Description
Price is for Piece. Whether conducting an interview, taking lecture notes, or capturing the sounds of life happening around you, simply attach Mini Microphone to your iPod or iPhone for immediate voice recording capabilities. Features * Plug and Play. * High quality microphone, fine sensibility. * Small and portable. * No need battery. Specifications * Size: Length 36mm, Diameter 13mm * N.W.: 4.5g * G.W.: 31g * Packing: blister D178 x W120 x H25 (mm) Compatible with… More >>